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Step 1. This step only applies when the photo is too dark (and I could have done it in my previous post). In order to get a better look at the problem, I lighten the photo by duplicating the background layer and setting the blend mode to "screen" as described in my "fix dark photos" tutorial.
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Step 2. Add a curves layer and use the "white" eyedropper on the whitest area of the photo. Since the screen layer has already lightened things up, the white sample will not produce a result as extreme as it did in my non-screen method.
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step 3. Add another curves layer and adjust the individual "blue" and "green" channels (in that order—and "red" if you must, but I would avoid it) as described in my color and tone tutorial. On the same curves layer, you can use to pull-down menu to go back to the full "rgb" curve and add a slight "s" curve to increase contrast. Once again, dial to opacity down to get results you like:
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Conclusion
For me, the main point here is twofold:
1.The individual rgb channels are a powerful tool that can still get you great color even in the worst of circumstances.
2. The sometimes less-than-ideal results you get from using only one eyedropper can be fixed by adjusting the opacity and using more than one curves adjustment.
If you want to add one more principle, it would be to use masks+curves adjustments+opacity changes. You do some pretty amazing retouching with nothing but those steps.
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